Evoking the metropolitan unease and pulsating life of São Paulo, Marcelo Caetano’s gripping drama focuses on those who exist on the margins of an perpetually shifting metropolis. Newly freed from juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) stands at a pivotal juncture; deserted by his parents, the wide-eyed young man seeks comfort in the arms of others.
On an night on the town with his lively group of gay and non-binary friends, Wellington encounters Ronaldo (Ricardo Teodoro), a muscular, charming hustler significantly older than his age. Bathed in the pulsating light of a XXX cinema, their first meeting is sensuous and erotic, with an hint of risk. Ronaldo swiftly initiates Wellington to the underground scene of sex work and selling drugs.
Caetano depicts Wellington’s new life of crime with tender empathy instead of as a melodramatic morality play. Now adopting the moniker Baby, he engages in his paid liaisons with cocky bravado and poignant gullibility. To his clients, Wellington lends not only his youth and his body, but also fleeting acts of kindness.
In the electrifying chaos of São Paulo, teeming with crowded backstreets and brightly painted facades, there’s a persistent isolation, as unmoored souls hold fast to one another for momentary bliss.
"The city might be riddled with risk, yet they are where they can find their own family, too."
Ronaldo is both a lover and a guardian-like mentor to Wellington, but their connection is thrown off course by jealousy and financial instability. Dangers posed by shady figures in the criminal underworld pale in comparison to the dread of institutional observation and imprisonment, represented by the looming presence of police officers making their rounds.
Baby is most powerful as an astute portrait of the lost people who have been failed by the social system. The film ultimately serves as a poignant exploration into making ends meet, found community, and the pursuit of identity within a demanding urban landscape.
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